The Perfect Neighbor Analysis: Unpacking a Infamous Shooting Through the Perspective of a Florida Officer's Body Camera

The true crime category has an innovative format, or perhaps even a whole new language and grammar: police body cam footage. Countenances of those harmed, witnesses and potential offenders loom up to the cameras, sometimes in the harsh glare of vehicle beams or torches as the police arrive, their expressions and tones eloquent of wariness or fear or anger or dubiously feigned naivety. And we frequently catch sight of the faces of the officers themselves, one standing by blankly while the other asks the questions with what occasionally seems like remarkable hesitation – though perhaps this is because they are aware they are being recorded.

A Growing Trend in Non-Fiction Cinema

We have previously seen the Netflix true-crime documentary American Murder: Gabby Petito, about the slaying of an Instagram influencer by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the police seemed extraordinarily lax with the suspect. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of officer footage. Now comes a new film by Geeta Gandbhir about the grim case of Ajike Owens in a city in Florida, a woman of colour whose children allegedly harassed and antagonized her neighbor, a local resident. In 2023, after an increasing number of neighborhood conflicts in which the authorities were repeatedly called, the accused fatally shot Owens through her locked door, when the victim went to the neighbor's residence to confront her about hurling items at her children.

The Police Inquiry and State Laws

The investigating authorities found proof that Lorincz had done online research into the state's self-defense statutes, which permit householders and others to shoot if there is a reasonable belief of danger. The movie builds its story with the officer recordings generated during the multiple officer calls to the location before the killing, and then at the horrific and chaotic incident site itself – prefaced by emergency call recordings of the caller calling the police in a dramatically trembling voice. There is also jail video of the individual which has a disturbing, unsettling appeal.

Portrayal of the Accused

The film does not really imply anything too complex about the neighbor, or any extenuating circumstance. She is clearly unstable, although the children are heard calling her a derogatory term, an hurtful taunt. The film is presented as an illustration of how “stand your ground” laws lead to unnecessary and heartbreaking violence. But the reality of firearm possession and the constitutional right (that historic American constitutional privilege that a late commentator famously claimed made firearm fatalities a price worth paying) is not much emphasized.

Police Interrogation and Firearm Norms

It is feasible to watch the officer questioning segments here and feel astonished at how minimal concern the police took in this aspect. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Had she ever had occasion to fire it before? How was the gun kept in her home? Was it just on the couch, loaded and ready? The police aren’t shown asking any of these undoubtedly important questions (though they may have done in footage that didn’t make the edit). Or is gun ownership so normal it would be like asking about microwaves or toasters?

Detention and Consequences

For what appeared to her neighbors a very long time, the suspect was not even arrested and charged, only detained and even provided accommodation away from home for the night (another point of comparison, by the way, with the a prior incident). And when she was finally officially taken into custody in the detention area, there is an remarkable scene in which Lorincz simply refuses to stand, refuses to put her wrists out for the cuffs, not aggressively, but with the courteously pathetic demeanor of someone whose psychological state means that she just can’t do it. Did the gentle handling up until that point led her to think that this might actually work?

Final Outcome and Judgment

It was not successful; and the panel's decision is saved for the end titles. A deeply sobering picture of U.S. justice and consequences.

This Documentary is in cinemas from 10 October, and on the streaming platform from October 17.

Sergio Harper
Sergio Harper

A passionate artist and designer sharing creative insights and projects.